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He has recorded over 60 albums under his own name, mainly for the best known labels, such as Hatology, CJR, Okka, Atavistic or CIMP. Joe McPhee – Multi-instrumentalist, composer and arranger active on the improvised music scene since the 1960s.
Peter brotzmann art institute full#
He currently leads several splendid projects, mainly with Scandinavian and Chicago-based musicians (the Chicago Tentet, Dried Rat-Dog, Sonore, Full Blast).
From the early 70s, he collaborated with such musicians as: Sonny Sharrock, Bill Laswell, Don Cherry, Anthony Braxton and Tomasz Stańko.
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He also collaborated back then with many musicians who were important to the free jazz scene, such as Don Cherry, Albert Mangelsdorff, Cecil Taylor and the Globe Unity Orchestra. It was for this label that an album was recorded in 1968 which brought Brötzmann a lot of publicity – Machine Gun, an album which is still regarded today as a European free jazz masterpiece.
In 1968, he founded (with Peter Kowald and other musicians of a similar persuasion) the FMP (Free Music Production) label, which continues today to mainly specialise in the promotion of the biggest events on the free jazz scene, and not only those occurring in Europe. um, Zwan.) in the years following their break up - which explains, in part, how what could've been a lost LP became something that slotted in near the top of "Top Albums of the '90s" lists (in this one, one slot ahead of "In Utero"!).Peter Brötzmann – active on the jazz scene since 1959. The band's members would go on to start or join an incredible list of groups (Tortoise, Stereolab, The For Carnation, Palace, The Breeders.
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Perhaps inspired by our February Archive Dive Broadcast - which basically looked at a handful of items all found in the same box - this edition of Archive Dive brings you five tapes from the Malachi Ritscher Collection tied together by nothing else (well, no other curatorial premise.) than being housed in the same box ( New Box #11) within the collection.Īfter hearing to Steve Albini describe in his recent ESS Workshop how influential just a handful of friends from Louisville became in late 1980's & early '90's independent music - the scene that included David Grubbs (of Gastr Del Sol, Squirrel Bait, Bastro), Slint, Will Oldham/Palace, and many more - I was curious to hear the recordings of the legendary Touch & Go band Slint within the Malachi Collection, which I had seen while browsing the database.Ī relatively unknown band during their short existence, the Louisville, KY band Slint's stature grew to a kind of unnatural level as their posthumous 2nd LP Spiderland gained a large following as a '90's post-punk classic. Stay tuned! In other Sun Ra news: I hope you were able to visit Corbett Vs Dempsey's exhibition of print materials and ephemera around Sun Ra's poetry publications and/or were able to grab the beautiful facsimile editions. I was on site last week for an interview with WTTW's Chicago Tonight, alongside Adler's Andrew Johnson and Art on the Mart Director Cynthia Noble - and the segment should air sometime later this week. It's an epic and lovely 16 minutes, and will be screened twice-nightly alongside work from the Art Institute of Chicago. We'd like to thank Mark Subbarao at the Adler for thinking it up and approaching us, and Irwin Chusid at Sun Ra, LLC for helping us curate the appropriately thematic playlist and rights approvals. The Planetarium's media team has created a new video for the Art on the Mart program called "Astrographics" - soundtracked by the one and only Sun Ra and his Arkestra, featuring music from the Sun Ra / El Saturn collection.
If you find yourself in the Loop between now and July 4th just after sunset, head over to the Riverwalk across the street from the Merchandise Mart for a special collaboration between the Adler Planetarium and the Creative Audio Archive.